- EAN13
- 9789069183305
- ISBN
- 978-90-6918-330-5
- Éditeur
- BOIJMANS VAN BE
- Date de publication
- 17/05/2024
- Nombre de pages
- 248
- Dimensions
- 29,2 x 23,5 x 2,6 cm
- Poids
- 1226 g
- Langue
- français
- Fiches UNIMARC
- S'identifier
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Lee Miller (1907-1977) had many lives: she was a model, muse,
photographer, war correspondent and Surrealist chef. It is well known that
she was 'discovered' on the street at nineteen and that her face appeared
on the cover of Vogue a few months later, that she inspired numerous
famous illustrators, photographers and artists, and that she flouted
convention by picking up a camera and making a name for herself with
seductive fashion photos, Surrealist experiments and penetrating war
reports. Through this publication, Museum Boijmans Van Beuningen
reveals the less-well-known fact that, during her lifetime, Miller's
impressive oeuvre was mainly accessible in magazines. Curator Saskia van
Kampen-Prein traces Miller's life and work through the pages of popular
lifestyle magazines such as Vogue and Harper's Bazaar and avant-garde
Surrealist periodicals. Through these magazines, Miller helped to shape
the modern world and was her whole life 'in print'.
photographer, war correspondent and Surrealist chef. It is well known that
she was 'discovered' on the street at nineteen and that her face appeared
on the cover of Vogue a few months later, that she inspired numerous
famous illustrators, photographers and artists, and that she flouted
convention by picking up a camera and making a name for herself with
seductive fashion photos, Surrealist experiments and penetrating war
reports. Through this publication, Museum Boijmans Van Beuningen
reveals the less-well-known fact that, during her lifetime, Miller's
impressive oeuvre was mainly accessible in magazines. Curator Saskia van
Kampen-Prein traces Miller's life and work through the pages of popular
lifestyle magazines such as Vogue and Harper's Bazaar and avant-garde
Surrealist periodicals. Through these magazines, Miller helped to shape
the modern world and was her whole life 'in print'.
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